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The result is false if and only if at least one of the following is true: BroadwayWorld.com – “SIZZLING!… DON’T MISS THIS BABY DOLL!… I cannot think of a better way to spend a hot summer night than to watch a sizzling stage production of a Tennessee Williams film… a practically flawless production at the Fountain Theatre, directed with stunning clarity by Simon Levy…and boasting an unforgettably ingenious cast of five… It is indeed Williams’ greatest achievement to turn sensuality into a spiritual and poetic powerhouse… Under Simon Levy’s perfectly modulated direction, the ensemble is divine. LaVanchy is pretty, innocent yet brazen as Baby Doll. This is a most difficult role and Lavanchy gives it her all in a luminous performance. Bess is handsome and sensually alluring as Vacarro. We sit on the edge of our seats, just waiting for him to win Baby over. Bess also brings compassion as well as power to the role, making him a knight in shining armor. Prosky makes the perfect uneducated, ill-mannered animal that is Archie. He brings Archie’s pain to the surface, and his dramatic outbursts are nothing short of beastial. Karen Kondazian as Aunt Rose is wondrous. It is delicious delight to watch her create a full inner life with a character that has less dialogue. Her reactions really tell the story. Another illuminating performance! George Roland ably completes the cast as the sheriff, who brings some peace to the last scene of the play. Kudos as well to the splendid creative team!… This authorized adaptation by Pierre Laville and Emily Mann stays faithful to the movie, eliminating only a few minor characters. Branded as a dark comedy as well as a drama, there is much humor as in all Williams plays. And the poetry! Who else but Tennessee Williams could express malevolence as “an explosion of evil spirits that haunt the human heart”? And once again the Fountain Theatre shows its brilliance. 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